‘Sin City’ impresses by commiting all imaginable sins

Book Review: Joel Finler’s “Hollywood Movie Stills: Art and Technique in the Golden Age of the Studios”

2012: The Best Movies of May

‘Even the Rain”s message seems to have fuelled its conception, rather than its story

Supporting Actors: The Overlooked and Underrated (part 5 of 5)

‘Cosmopolis’ aims to challenge but may alienate in the process

Lesbian Scene Analysis: ‘Black Swan’

Game of Thrones, Ep. 2.09: “Blackwater” mostly lives up to the hype

‘Two Years at Sea’ has enigmatic appeal, but only for so long

Inside Out 2012: ‘Margarita’ is a potent cocktail of heart, humour, and humanity

Inside Out 2012: ‘Melting Away’ eventually succeeds in its war of emotional attrition

Mad Men, Ep. 5.11, “The Other Woman”: Patriarchal Games

Inside Out 2012: ‘Beauty’ is a picture of uncompromising dark complexion

‘High School’ succeeds in doing for pot what Superbad did for booze

Time travel brings introverts together in the surprisingly affecting Safety Not Guaranteed

‘Arbitrage’ skillfully reiterates the corruptive effects of wealth but fails to entertain

‘Beasts of the Southern Wild’ visualizes the untamable imagination of childhood

Inside Out 2012: ‘Bye Bye Blondie’ is suffused with libertine barbarism and moral ambivalence

‘Moonrise Kingdom’ warm, lovely, and as Andersonian as it gets

Hey Montreal! Don’t miss the Grindhouse presentation of Romero’s ‘Night Of The Living Dead’

Inside Out 2012: ‘Joshua Tree, 1951: A Portrait of James Dean’; or if Fellini made a Dolce & Gabbana commercial instead of La Dolce Vita

Seven great rebel portraits of the ’60s and ’70s

Supporting Actors: The Overlooked and Underrated (part 4 of 5)