Shyamalan’s “Airbender” a Failed Adaptation

- Advertisement -

The Last Airbender



Directed by M. Night Shyamalan

For those unfamiliar with the premise behind the Last Airbender series, here’s a quick summary. Long ago, the four nations of the world lived in peace.  Each tribe had a spiritual connection to one of the four elements: earth, fire, water, and air.  Only one individual could exert control over all four elements.  He was known as the Avatar, and he maintained balance in the world.  However, one day “when he was needed most,” he disappeared, and the Fire Nation rose up and nearly conquered all other nations.  One hundred years later, an eleven year old boy emerges from a frozen bubble of water.  He is the last of the Air Nomads and the only one capable of stopping the Fire Nation’s vicious campaign.

The cartoon series that is this movie’s source material makes it clear upfront that the manipulation of the elements does not require magic.  It is a birthright and will power that allows various members of the four tribes to control (or “bend”) their respective elements.  “It is not magic.  It’s waterbending,” Katara says to her brother in the first episode. Well, the movie version is completely devoid of magic in every sense of the word.  It totally lacks a sense of awe, enthusiasm, and above all, the heart that the cartoon delivered with such dependable regularity.

The big downfall of The Last Airbender movie is flawed storytelling, plain and simple.  I’m not a huge Shyamalan fan, but I have always respected the subtlety of his writing.  Not once did I ever doubt his ability to invest a simple story with deeper meaning – so that makes me wonder why he adjusted his method in writing this movie.  For The Last Airbender, Shyamalan swaps subtlety for over-clarification.  He talks down to his audience, and consequently treats us all like children – particularly stupid children.  His characters constantly explain their motivations: Zuko’s obsession with regaining his honor, Katara’s needy desire to emulate her dead mother’s moral standards, Aang’s guilt for abandoning his Avatar duties.  This unrelenting exposition robs the characters’ actions of any significance, ironically making the characters less dimensional than their cartoonish counterparts.

In the director’s defense, the cartoon had twenty episodes and ten hours to flesh out its story and characters, whereas Shyamalan had less than two hours.  He would have been better off going the Lord of the Rings route and making an epic-length film.  I am sure that a lot of his limitations in recreating the cartoon’s world and epic journey were budget related. But in my mind, if you can’t make the movie you want to make, then you ought not make it at all.  He had to know that at least half, if not more, of the audience for this adaptation would come to the movie to see how he planned to replicate certain pivotal moments from the television series.  So if he intended to reinterpret the final battle and skip Aang’s transformation into a monstrous water spirit, then he should have offered up something a little more than a not-so-epic tidal wave that doesn’t even overturn any enemy ships but somehow manages to scare away the bad guys anyway.

The greatest flaws of all are on the character level.  Shyamalan’s script just drops information into the laps of his audience and hopes that they accept it without really providing the chance to digest it.  Sokka’s relationship with Princess Yue happens over a glance and a snippet of voiceover narration. Aang’s crush on Katara, such an important and driving plot point in the cartoon, never manifests in the movie, and the story suffers for its absence.  The people in Shyamalan’s story are randomly thrown together and the kinship and responsibility they feel for each other never gets much attention.  For instance, Sokka initially treats Aang with mistrust and apprehension, yet he takes on the life-threatening mission to escort him to the Northern Water Tribe without much reluctance.  Basically the haphazard pacing and spotty storytelling doesn’t allow the heroes the time needed for respect to grow between them.  Furthermore, I would argue that there is not enough time or motivation for relationships to form between the characters and the audience either.  I found it difficult to pinpoint any reason to root or sympathize for Aang and the others.

Perhaps, Shyamalan’s biggest violation involves his misinterpretation of the major players’ personalities, especially in Aang’s case.  He seems to forget that they are kids.  Yes, “with great power comes great responsibility,” but it also comes with opportunities for great fun.  The kids in this movie have no time for fun or to be funny for that matter.  The humor and light-heartedness of the series is missing entirely from Shyamalan’s adaptation.  As a consequence, Aang comes across as a somber, brooding religious figure and not the loveable, always playful sprite he is in the cartoon.

Character arcs also become a casualty of the accelerated pace.  Shyamalan overstuffs dialogue with so much consideration of the past that he fails to have the characters examine their current circumstances. The characters don’t actually learn anything; they just realize their mistakes.  Perhaps, the writer/director intended for them to fully explore their arcs over the course of a multi-movie franchise (a possibility offered by the movie’s final scene), but the film still left me with a nagging feeling of incompleteness when the credits rolled.

Kenneth Broadway





10 Different Types of Financial Aid
Top 10 Richest American Idols
V-Moda Crossfade Wireless
The 5 Most Expensive Wireless Headphones: Ultimate Auditory Clarity
Business man watching business go bankrupt
25 Iconic Companies that Filed for Bankruptcy
Ice Cube at Straight Outta L.A. at Tribeca Film Festival in 2010
10 Best Ice Cube Movies When You Want to Watch Ice Cube
Luke Evans at the Los Angeles premiere of Beauty And The Beast held at the El Capitan Theatre in Hollywood
10 Best Luke Evans Movies (He did that?)
Football movie being filmed
The 25 Greatest Football Movies of All Time
12 Different Types of Cellos
4 Different Types of Cauliflower (Plus Health Benefits)
12 Different Types of Pecans
28 Different Types of Pineapple
20 Different Types of Limes
10 Different Types of Tow Trucks
Electric mountain bike on the trails
18 Things to Know Before Buying an Electric Bike
Side and rear view of black 2017 Audi A7
23 Things to Know Before Buying an Audi A7
Motorhome on highway going through Bryce Canyon in the USA
13 Types of RV’s (Recreational Vehicles) for All Kinds of Vacation Fun
13 Different Types of Dumbbells
15 Awesome Alternatives to Skateboards (Plus Interesting Facts)
Baseball player hitting ball
10 Types of Baseball Bats that Rip the Leather Off the Ball
16 Types of Barbells for All Types of Lifts and Workouts
Camera, lenses and other photography equipments.
45 of the Best Online Photography and Camera Stores
9 Different Types of Website Hosting
5 Different Types of Pulleys (Plus Examples in Daily Life)
Apple Wallet icon on iPhone
15 Things to Know Before Setting Up Apple Pay
Natural herbal vitamins.
10 of the Best Online Vitamin Stores
>