At this year’s Venice Film Festival, Italian filmmaker Luca Guadagnino, there to promote his divisive new film A Bigger Splash, was announced as the director of David Gordon Green’s long-gestating passion project- a remake of Dario Argento’s giallo masterwork Suspiria. Naturally, this is news that has overshadowed that of the film he was there to …
With a narrative built on repetition – the cyclical nature of seasons, feelings and passions – The Duke of Burgundy’s unique structure defies traditional plot and narrative in favour of sensations and experiences. The film most notably has credits in the opening sequence for both the choice fragrance and the lingerie designs, a hint at the precedence luxury and sensuality has within this world. It becomes abundantly clear that breaking the film down in terms of plot betrays its absolute appeal as a masterpiece in haptic vision. (‘Haptic’ refers to ‘touching with your eyes’, though how can we similarly evoke the sensation of smell? Film criticism is lacking in this regard. We need an extensive study on the evocation of smell in cinema, just as there are studies on the way filmmakers conjure sound and music in silent cinema.) Written and directed by Peter Strickland, the film is about a lesbian couple engaged in an increasingly escalated S&M relationship, and when they’re not role-playing, they are lepidopterists (they study butterflies and moths).
A couple of years ago, Peter Strickland’s Berberian Sound Studio seemed to materialise from the ether and spear the hearts of giallo and cult murder movie fans everywhere with its exquisitely executed homage to the murdering grounds of Argento, Bava and Martino, so his long-anticipated follow-up as been eagerly received throughout the international festival circuit. This time Strickland has mounted a similar etymology of cult movie history in the form of 1970’s Eurotrash exploitation pictures, soft-core seductions from the likes of Jess Franco or Umberto Lenzi, with a reincarnation complete with creeping zooms, trance-like montages, and a rather flippant approach to narrative coherence, sacrificed on the altar of pure cinematic sensation.
Special Mention: Post Tenebras Lux Written and directed by Carlos Reygadas Mexico, 2012 Mexican director Carlos Reygadas (Japón, Silent Light) seems inches away from producing his masterpiece. His latest, Post Tenebras Lux (the title is a Latin phrase meaning “after darkness, light”), opens with two of the most unforgettable, ominous images in recent memory. The first is a …
#20: Cosmopolis (50 points) Directed by David Cronenberg Written by David Cronenberg Canada / France, 2012 Every time Cronenberg answers the prayers of his fans with a new movie, it seems that the first reflex is to attempt to categorize it. Is this new film more like the old Cronenberg, in which very strange, very …
25: The Dark Knight Rises Directed by Christopher Nolan Screenplay by Jonathan Nolan and Christopher Nolan 2012, USA The Dark Knight Rises feels as if it was made up of two equal halves, with the most critical moment of the film breaking the movie in half, almost literally. While the second half may have …
2012 wasn’t a bad year for movies. It was actually a great year. The problem is, the movies we were most anticipating, specifically the Hollywood blockbusters like Prometheus and The Hobbit, didn’t live up to our expectations. With that said I still managed to make a list of 50 films I loved. Maybe I just …
10: Skyfall – Prison Sequence In Skyfall, Javier Bordem plays Raoul Silva, a cyber-brainiac, who isn’t so much interested in world domination as his goals are more personal. He isn’t your typical 007 megalomaniac but Silva provides many of the film’s highlights. Bardem goes big, and for most of the film he persuades us that …
It’s no big secret I love horror films, but 2012 hasn’t been a great year. In my top ten, three films carry over from 2011, two won’t be released until 2013, two are animated and another isn’t much of a horror film. With that said, 2012 gave us Berberian Sound Studio and Cabin In The …
Spring Breakers – Opening Sequence Having been at TIFF this month, attempting to select favorite scenes without going entirely overboard– well, it may not exactly be as drastic as Sophie’s choice, but that is the first label that comes to mind. Spring Breakers is one of many very strong showings from Toronto this year, and …
Berberian Sound Studio Written and directed by Peter Strickland UK, 2012 Berberian Sound Studio is an unusual thriller with a very striking atmosphere. Set amidst the production of a 1970s Italian horror production, it is definitely informed stylistically by giallo films, but also bears strong resemblances to David Lynch, early Roman Polanski and certain efforts …
Berberian Sound Studio Written and directed by Peter Strickland UK, 2012 Berberian Sound Studio is an unusual thriller with a very striking atmosphere. Set amidst the production of a 1970s Italian horror production, it is definitely informed stylistically by giallo films, but also bears strong resemblances to David Lynch, early Roman Polanski and certain efforts …