Danny Miki

Where Does He Get Those Wonderful Toys in ‘Batman #46’?

Snyder and Capullo are charging ahead with this Gordon as Batman plot, but Batman #46 is an issue that shows how many narrative balls they can juggle in the air without really taking the time to get to dive deep into any of those stories. With a lot of characters, Snyder and Capullo spend a little time with character A and then with character B and C before heading back to the beginning again. The snippet of character moments creates the sense of a lot happening, but none of the stories are developed in a completely satisfying way. Luckily, Mr. Bloom carries the weight of the issue, creating a threat for Batmen new and old.

‘Batman’ #45: Next Man Up

At the end of Batman #45 Mr. Bloom literally crashes Geri Powers’ Batman party/news conference/gathering. Jim Gordon is to step down as the Batman and someone new is to step up. Batman is now not a single person but persons into perpetuity. This feeling of constant change is felt in this issue of Batman. Not only is that cowl supposed to change shoulders but Bruce Wayne wants to change the parts of Gotham that get destroyed the worst only to be rebuilt and cleaned last.

‘Batman’ #41: The Right Man at the Right Time

After the events of ‘Endgame’ the cowl has undergone a transition from Bruce Wayne to Jim Gordon, yes, that Jim Gordon, the same beat walking, cigarette smoking, and mustachioed man. Scott Snyder has never shied away from making his Batman completely different from the past 75-plus years. Here in Batman #41, Snyder does the inconceivable and replaces Batman with what seems like a less athletic, less aggressive, and lesser man. Sure, the new suit helps, but is it really Batman?

‘Batman’ #40 is a brutal, personal conclusion to Endgame

Batman #40 features the battle to end all battles between Batman and the Joker drawn in gory detail by Greg Capullo and Danny Miki, but the scraps of dialogue between the blows and explosion are occasionally weighed down by exposition. Snyder does punch things up in the third act and leave Gotham and the Batman title as wide open as it’s been since the dawn of the New 52. He and Capullo make “Endgame” the dark mirror of Batman Eternal, and it’s interesting to see this storyline fit in the larger context of their run on Batman and the weekly series, which preceded it. Questionable plot devices aside, Batman #40 concludes the “Endgame” in a brutal, personal manner that really shakes up the status quo on this book.

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