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Red States and Blue States: Anderson’s ‘Punch-Drunk Love’ and an Ode to Godard

From the pool party dive in Boogie Nights inspired by Mikhail Kalatozov’s I Am Cuba to the steering wheel scene in Hard Eight that so deftly recalls Alfred Hitchcock’s Saboteur, playing spot the reference with Paul Thomas Anderson is always fun. It is through these moments that we can fully appreciate the voracious depth at which one man is embroiled in his art; forever the immersed student …

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The Case against Paul Thomas Anderson

In his relatively short time directing films, Paul Thomas Anderson has been called a rock star, a genius, an artist who knows no limits, the most devout filmmaker of his generation, and even the best film director in the world. Anderson has secured a spot in the hearts of most cinephiles generally reserved for dearly …

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‘Inherent Vice’ a narcotic vision that demands multiple viewings

Inherent Vice Written for the screen and directed by Paul Thomas Anderson USA, 2014 Even if you were not around during the 1970s, Inherent Vice comes across as a faded, nostalgic memory. Being a faithful adaptation of Thomas Pynchon’s novel, the film recounts the dying days of the free love era, laced with the look, …

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‘Inherent Vice’ suffers only against Paul Thomas Anderson’s past work

It’s not just that Paul Thomas Anderson’s movies tend to defy any one genre description; it’s that, often, it seems as if the writer-director is trying to play with many genres simultaneously. The only reason that Boogie Nights isn’t the best drama of the 1990s is that it spends a lot of time trying to be the best comedy of the 1990s instead. So Anderson’s newest, Inherent Vice, is a departure in that it mostly sticks to one style (sun-drenched film noir) and one tone (absurdist comedy). It’s also a fine film, which suffers only when measured against the insanely high standard that Anderson’s past work has set.

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Men, Women, Anderson and Altman: On ‘The Master’ and ‘3 Women’

 1. Paul Thomas Anderson learned to make movies by watching movies. Each of his films bears the ghostly fingerprints of his masters and mentors: the obsession and one-point perspective of Kubrick; the tough-guy veneers and fetid societies that sated the first decade of Scorsese’s career; the intense meditative stares of Jonathan Demme, constantly reminding us …

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Philip Seymour Hoffman and Paul Thomas Anderson: One of film’s greatest teams

What more can be said about Philip Seymour Hoffman, especially in the wake of his terribly tragic, premature death? He was perhaps the finest actor of his generation, he was deeply loved in his community, and he was a partner, a father.

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Watch A 20 Minutes Of Deleted Scenes From ‘The Master’

Much like Paul Thomas Anderson’s previous movie There Will Be Blood, The Master is a portrait of megalomaniac. It is about character interaction, not character development – a study of two souls searching for answers and for belonging. It is also one of the most technically impressive films of the year and one that satisfies …

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‘The Master’ Image Gallery

[quote by=”Synopsis”]Paul Thomas Anderson’s The Master stars Joaquin Phoenix as a psychologically damaged war veteran who finds himself working for Lancaster Dodd (Philip Seymour Hoffman), a charismatic figure building his own religion. As the alcoholic, self-destructive former soldier becomes more deeply involved with the leader of this cult-like organization, his natural instincts keep him from …

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2012’s Great Movie Moments: September

Spring Breakers – Opening Sequence Having been at TIFF this month, attempting to select favorite scenes without going entirely overboard– well, it may not exactly be as drastic as Sophie’s choice, but that is the first label that comes to mind. Spring Breakers is one of many very strong showings from Toronto this year, and …

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Ten Filmmakers Who Should Have Directed The Great Gatsby

Though time will only tell if Baz Luhrmann is the right filmmaker to tackle The Great Gatsby, I remain a skeptic. The material may suggest a certain grandiosity that Luhrmann has proved to be able to bring to life but the story remains fundamentally simple and down to earth. The novel is highly critical of …

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