review

’21 Years: Richard Linklater’ is more entertaining than must-see

Arrow, Ep. 3.05: “The Secret Origin of Felicity Smoak” spotlights the series’ best character

The Originals, Ep. 2.05, “Red Door” balances exposition, action with ease

Scandal, Ep. 4.06, “An Innocent Man” spotlights the show’s women

‘Horns’ is all over the place

The Originals, Ep. 2.04, “Live and Let Die” creates unexpected character connections

Reign, Ep. 2.04: “The Lamb and the Slaughter” takes some surprising turns

Scandal, Ep. 4.05, “The Key” introduces impressive character development

The Originals, Ep. 2.03, “Every Mother’s Son” interweaves centuries of history together

Scandal, Ep. 4.04, “Like Father, Like Daughter” fails in execution

The Originals, Ep. 2.02, “Alive and Kicking” reunites the Mikaelson clan

Reign, Ep. 2.02: “Drawn and Quartered” hastily wraps up the plague

Scandal, Ep. 4.03, “Inside the Bubble”: ‘Everything is Colder’

The Originals, Ep. 2.01, “Rebirth” is a well-executed season opener

Reign, Ep. 2.01: “The Plague” begins the season with high stakes

Scandal, Ep. 4.02, “The State of the Union” is tinged with death

Scandal, Ep. 4.01, “Randy, Red, Superfreak and Julia”: A Death in the Family

Complex narratives: 6 series that revolutionized television in the digital age

True Blood, Ep. 7.10, “Thank You” delivers an entertaining goodbye

Apart from its color palette, ‘The Giver’s’ only grey area is in Marco Beltrami’s music

True Blood, 7.08, “Almost Home”: “No, I don’t want the blood”

True Blood, Ep. 7.07, “May Be the Last Time” is the season’s weakest ep

True Blood, Ep. 7.06, “Karma” welcomes the mundanity among the supernatural