Late last night on The Super Channel, Reel One unleashed its new pitch black comedy, 24 Hour Rental upon an unsuspecting world. Described as a “no-holds-barred, deviant gangster satire” the series is produced and directed by George Mihalka, and stars Romano Orzari as Tracker, a gangster heavily in debt to the Russian Mob trying to …
Cult Cinema: Volume 13: Dear Internet, I’m sorry that we don’t like the same movies. I’ve let you down. After all that you’ve given me, from the questionably legal pornography, to the gory photos of car crash victims and dead celebrities, to the endless hours spent trolling creationist message boards and acupuncture websites, I’ve done …
Cult Cinema: Volume 12 It’s tough to be straight-edge. By virtue of being drug- and alcohol-free, the whole world thinks you’re some Christian hardcore kid from Boston who only speaks in Minor Threat lyrics. But on the other hand, you do get to picture the whole world as some sort of decadent, liverish imbecile, lounging …
Cult Cinema:- Article #11 Cult of the Week: Volume 11 Art imitates life. Until art gets so thoroughly processed by focus groups and marketing departments that it wins an MTV Movie Award. Then, art turns into product, which is imitated by the single-brain-celled form of life that spends a small fortune of its parents’ money …
Horror fans are a mysterious, cultish bunch. Or at least, they like to think they are, imagining themselves the vanguard of the underground; Morlocks feeding off pampered, mainstream Eloi dandies with D&G sunglasses and designer perfume. But go to any horror film screening, and see if you’re not surrounded by Blackberry-toting shitheads who got armband tattoos so they look good pounding Redbull & Vodkas at La Boum. Sure, there are the hardcore horror fans, concave chests vainly attempting to fill out Necrophagist t-shirts, keeping the black flame alive on message boards that use crime scene photos as wallpaper. But they’re dwarfed in number by the Friday night date crowd, who wouldn’t dare miss opening night for the latest Rob Zombie movie, provided Fast and Furious isn’t playing somewhere.
Cult Cinema: Volume 9 It’s common geek knowledge that Star Trek is a smarter version of Star Wars. However, this should not be the badge of honour that so many Trekkies wear with pride, since Star Wars is essentially what idiot kids dream about when they’ve eaten cotton candy instead of their Ritalin. Here’s the …
Cult Cinema: Volume 8 At their best, horror films hold society up to a funhouse mirror, providing a grotesque yet revealing reflection of cultural concerns, values, and above all, fears. And then there’s torture porn, in which the only insights are gained from peering deep into the vivisected ruins of a woman’s genitals. The term …
Cult Cinema: Volume 7 Good comedy is a mix of the familiar, the unexpected, and the shocking. Which is an elaborate way of saying that ending a knock-knock joke with a line about killing a baby is a sure way to get a laugh. Try it some time. At work. So, it’s no surprise that …
Cult Cinema: Volume 6 In the 1980s, author Clive Barker was dubbed the new face of horror. And what a face it was, one that looked like it should be fellating both Lord Byron and Aleister Crowley during a sex magic ritual, all arched eyebrows and smooth cheeks and smoky eyes. Barker’s 1985 short story …
Cult Cinema: Volume 5 Quentin Tarantino is every video store clerk’s idol, and every film critic’s nightmare. Venerated by midnight movie buffs and Blockbuster cashiers for his unadulterated love of cult cinema, Tarantino has proved that a film school education is no match for passion, creativity, and kinetic energy. Unfortunately for film critics, this has …
Cult Cinema: Volume 4 David Lynch films are a litmus test of intelligence. You don’t have to like them to prove that your cinematic IQ is above the level of a mouth-breather with a Vin Diesel DVD collection. But you do have to realize the films’ artistic merit. And then give lengthy interpretations of their …
Whip It 2009, USA Directed by Drew Barrymore Written by Shauna Cross (also novel) Starring Ellen Page, Alia Shawkat, Marcia Gay Harden, Kristen Wiig Whip It is not for me. And I mean that literally: it wasn’t made for me. The producers of the film probably couldn’t care less what a 20-something male thinks of …
Tonight, Canadian viewers will have a chance to watch a two-minute, ‘cliffhanger’ scene from director Roland Emmerich’s upcoming disaster epic 2012. The scene will be broadcast between 22:50 and 23:00 on pretty much every channel we get up here, and its five-minute conclusion will be posted online. I’m actually kind of curious about the film, …
Take Out 2004, USA Directed by Sean Baker, Shih-Ching Tsou Written by Sean Baker, Shih-Ching Tsou Starring Charles Jang, Jeng-Hua Yu, Wang-Thye Lee, Justin Wan English/Mandarin In the context of film reviews, ‘hypnotic’ often means the critic fell asleep, but got the DVD for free and is trying to be nice. This is why Jean …
Surrogates 2009, USA Directed by Jonathan Mostow Written by Michael Ferris, John D. Brancato, Robert Venditti (graphic novel), Brett Weldele (graphic novel) Starring Bruce Willis, Radha Mitchell, Rosamund Pike, Ving Rhames The idea of creating an imaginary persona as a replacement for reality is nothing new, at least for those of us who try to …
Post Grad 2009, USA Directed by Vicky Jensen Written by Kelly Fremon Starring Alexis Bledel, Zach Gilford, Michael Keaton, Jane Lynch 89 minutes, English When it comes to a critic’s personal biases and preferences, transparency is crucial. So, I’ll admit that I have a hard time with films about pretty people years younger than me …
Generally speaking, I don’t like to be lectured. It brings back painful memories of my childhood, when my father would continually admonish me for being untidy, killing the family pets, and digging up my dead sister for Saturday night ‘dates.’ I especially dislike preaching about race relations, because ever since flipping past The O’Reilly Factor while channel surfing, I’ve become convinced that only communist agitators and terrorists complain about racism. But I’ll make a special exception for director Neill Blomkamp’s District 9, because it mixes its didactic moralizing with giant bugs and the mechanized body armour from Robot Jox.
Good criticism is a skill that must be learned, practiced and perfected – but more importantly, it comes with time. Seeing a diverse array of films broadens your views and expands your cinematic vocabulary while aiding in making astute comparisons. The more diverse and numerous the films in your vocabulary, the more insightful, relevant, and …
The Warlords 2007, Hong Kong/China Directed by Peter Chan Written by Xu Lan, Chun Tin-Nam, Aubery Lam, Huang Jian Xin, Jojo Hui, He Jiping, Guo Jun Li, James Yuen Starring Jet Li, Andy Lau, Takeshi Kaneshiro, Xu Jinglei 127 minutes, English 35 mm Generally speaking, when an action star attempts a role that requires delivering …
Sound on Sight co-host Al Kratina is covering Fantasia for the Montreal Gazette’s Cine Files blog. Read an excerpt below. Black Directed by Pierre Laffargue It must be difficult to do anything original with the urban crime drama, since most of the more familiar tropes have migrated from gritty 1970s cult films to G Unit …
Cult Cinema: Volume 13: Dear Internet, I’m sorry that we don’t like the same movies. I’ve let you down. After all that you’ve given me, from the questionably legal pornography, to the gory photos of car crash victims and dead celebrities, to the endless hours spent trolling creationist message boards and acupuncture websites, I’ve done …
Cult Cinema: Volume 12 It’s tough to be straight-edge. By virtue of being drug- and alcohol-free, the whole world thinks you’re some Christian hardcore kid from Boston who only speaks in Minor Threat lyrics. But on the other hand, you do get to picture the whole world as some sort of decadent, liverish imbecile, lounging …
Cult Cinema:- Article #11 Cult of the Week: Volume 11 Art imitates life. Until art gets so thoroughly processed by focus groups and marketing departments that it wins an MTV Movie Award. Then, art turns into product, which is imitated by the single-brain-celled form of life that spends a small fortune of its parents’ money …