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Italian cult films ‘Django’ and Dario Argento’s ‘Suspiria’ to be adapted for television

Two international producing companies, France’s Atlantique Productions and Italy’s Cattleya, have joined forces to co-develop and produce television adaptations of two cult Italian film properties. According to Slashfilm, the two companies intend to adapt the spaghetti western icon Django based from Sergio Corbucci’s original film and Italian horror film classic Suspiria by Dario Argento which …

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CIFF: “Miss Julie” and “The Editor”

Here are two films from the Chicago International Film Festival that couldn’t be more different. First is Miss Julie, based on the play of the same title by August Strindber, directed by Liv Ullmann and stars Jessica Chastain, Colin Farrell, Samantha Morton, and a pug. The general plot is simple, but the drama and themes, are …

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Witchcraft Wednesdays: ‘Suspiria’ feels just as exhilaratingly nightmarish today

Suzy manages to hail a cab after arriving in Munich, rain pouring down like the gods are dumping giant buckets of it onto her. It sounds like the apocalypse is happening all around, not least because of Goblin’s typically menacing score, which we are hearing for the first time. A McDonald’s visible in the distance, she pushes her way through the rain in order to yell down a cab and get inside (after the driver refuses to come outside and get her bags). She wipes herself off, reds and blues washing over her and the car. She tells the driver where to go (with some difficulty), then she’s off to the dance academy, with many different vibrant colors flashing through the cab and the thunder crashing all around. This is our introduction to Suzy Bannion. This is Suspiria.

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31 Days of Horror: (Giallo) — Bava and Hitchcock

The etymologic history of the giallo sub-genre is well-documented by now. Giallo, Italian for yellow, refers to the cheap mystery books that at least partially inspired a cross-section of gruesome murder films from the likes of Mario Bava, Dario Argento, and Lucio Fulci.  Bava’s The Girl Who Knew Too Much from 1963 is commonly referenced …

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A Revved-Up Chick Flick

Death Proof Written by Quentin Tarantino Directed by Quentin Tarantino 2007, USA **Contains Spoilers*** Tarantino’s many skills set him apart from other auteurs working in the film industry today, but none of them dominate in his work as much as his ability to seamlessly weave his narratives through genre/sub-genre mash-ups. The Nouvelle Vague coolness and …

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Italian Institute of Stupidity Science and Philosophy

Horror fans are a mysterious, cultish bunch. Or at least, they like to think they are, imagining themselves the vanguard of the underground; Morlocks feeding off pampered, mainstream Eloi dandies with D&G sunglasses and designer perfume. But go to any horror film screening, and see if you’re not surrounded by Blackberry-toting shitheads who got armband tattoos so they look good pounding Redbull & Vodkas at La Boum. Sure, there are the hardcore horror fans, concave chests vainly attempting to fill out Necrophagist t-shirts, keeping the black flame alive on message boards that use crime scene photos as wallpaper. But they’re dwarfed in number by the Friday night date crowd, who wouldn’t dare miss opening night for the latest Rob Zombie movie, provided Fast and Furious isn’t playing somewhere.

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The CineManiac’s 31 Days of Horror – Day 15: Opera

“Opera showcases Argento at his insane stylistic best that rivals the Technicolor mastery of Suspiria.” Opera Director: Dario Argento Writers: Dario Argento, Franco Ferrini Starring: Christina Marsillach, Ian Charleson, Coralina Catildi-Tassoni 1987 Italy | R | 107 mins You know a Dario Argento film when you see one – vivid and hypnotic colours, elaborate camera moves …

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Italian Institute of Stupidity Science and Philosophy

Cult Cinema: Volume 10 Horror fans are a mysterious, cultish bunch. Or at least, they like to think they are, imagining themselves the vanguard of the underground; Morlocks feeding off pampered, mainstream Eloi dandies with D&G sunglasses and designer perfume. But go to any horror film screening, and see if you’re not surrounded by Blackberry-toting …

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