Do You Read Sutter Cane?: John Carpenter’s Lovecraftian Opus

In a padded cell adorned with crudely drawn crosses resides John Trent. Trent has gone so far as to not only decorate his new insane asylum home with crosses, but himself as well — they run up and down his mental patient uniform and dance across his very face. Outside the asylum, the world is going to hell, and John Trent knows it. When the kindly Dr. Wrenn comes to talk with Trent, Trent tells him the cold hard truth: “Every species can smell its own extinction.”

The Walking Dead, Ep. 6.02, “JSS”

We now know that while Rick’s methods have been cruel in some respects, his way works, and works hard. I say that because, while the Alexandrians are out planning to overthrow him, the Wolves invade and slaughter about twenty five percent of the village.

LFF 2015: ‘Bone Tomahawk’ is a character-driven Western with a horror spin that engages despite its languid pace

To describe Bone Tomahawk as a “horror-Western” is good shorthand, but could be a little misleading. The film indeed has horror elements but novelist turned screenwriter/director S. Craig Zahler seems more interested in spending time with his four main protagonists as they travel across country, letting their different personalities and world views, and the harshness of the terrain, challenge them on their journey

FNC 2015: ‘Hellions’ is hollow and stylistically bewildering

Movies about gaggles of sinister children scurrying about getting up to all kinds of bloody mischief (or alternately, standing stock still, staring into the middle distance and looking creepy) are nothing particularly new to horror films. Movies like The Innocents, Children of the Corn, Children of the Damned and countless others have all found success in gleefully twisting the popular image of children as innocent and harmless and capitalizing on that subtle unease felt by so many people in the presence of the young. It’s an ever-growing horror sub-genre, and once which Bruce McDonald’s Hellions aims to stake a claim in.

‘Terror and Black Lace’ is midnight movie material

At least the title of Terror and Black Lace isn’t entirely misleading. There is, after all, some terror. And there is some black lace. But, in the same way that Luis Alcoriza’s 1985 film is mostly domestic drama and then only partially and haphazardly horror, this film is far more concerned with lingerie than horror.

‘Providence’ #5 finally delivers some fear.

For a comic whose publisher regularly bills it as “the horror event of the year,” Providence has until this point been rather light on the scares. Sure, it’s had its close encounters.

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