Skip to Content

The 13 Best Witch Movies of All Time

The 13 Best Witch Movies of All Time

The following films will not be included on our list of the best witch movies:

  • The Harry Potter films (simply because there are far too many)
  • The Devils (Some often consider the film’s plot similar to a witch hunt, but it’s really the cruel depiction of religion in general that drives the film.)
  • Rosemary’s Baby (this film revolves around a cult and the devil, not a witch)
  • The Evil Dead (Yes, Ash refers to the lady in the cellar as a witch, but she is really a demon summoned by reading the book of the dead)

#13- The Witches of Eastwick (1987)

Director: George Miller

Tagline: “Something wicked this way comes.”

Screenwriter Michael Cristofer adapted the script (loosely) from the best-selling novel by John Updike about a trio of divorced or widowed ladies living in a small New England town who subconsciously conjure up the Devil himself. The comparison to Practical Magic (a movie that won’t make this list) is common, but The Witches of Eastwick is a lot of fun, if only for its scandalous plot, in which Jack Nicholson (playing the Devil) turns three women in the small town of Eastwick into his whores. Nicholson, Cher, Susan Sarandon, Michelle Pfeiffer, Veronica Cartwright and Richard Jenkins chew up scenery left and right, while Mad Max director George Miller pulls out all the stops here. The no-holds-barred performance by Jack as the sex crazed Satan is enough to keep the momentum rolling, even if the movie’s latter half loses its magic.

See also  'Kurt Cobain: Montage of Heck' avoids a literary reading of Cobain's life

#12- I Married A Witch (1942)

Director: René Clair

Tagline: “She’s a witch (and we do mean witch) who gets what she wants with hex appeal!”

Based on the unfinished story The Passionate Witch by Thorne Smith, the 1942 comedy was the inspiration for TV’s Bewitched. French director René Clair delivers a magical film with spectacular effects (quite effective for the time) and an incredible score. Veronica Lake stars just after her brief run of film noirs, demonstrating a quirky sense of comedy.

#11 The Craft (1996)

Director: Andrew Fleming

Tagline: “It’s “Carrie” meets “Clueless””

The tagline is pretty accurate, but I would also describe The Craft as a kind of supernatural Heathers. Directed by Andrew Fleming from a screenplay by Peter Filardi and Fleming, The Craft is, if anything, an entertainingly cheesy thriller about a coven of teenage witches. Dark, brooding, dangerous (much like high school), The Craft deserves credit for its female-centric story and a fabulous cast which includes Fairuza Balk, Neve Campbell, Rachel True and Robin Tunney. It’s always refreshing to see women in power, and the four actresses, each in her first major role, all do well. A perfect movie for maxim subscribers.

#10- Black Sunday (1977)

Director: Mario Bava

Tagline: “STARE INTO THESE EYES… discover deep within them the unspeakable terrifying secret of BLACK SUNDAY… it will paralyze you with fright!”

A densely atmospheric black-and-white fright film that clearly took its inspiration from the classic Universal horrors, Mario Bava’s directorial debut still stands as one of the most influential and important genre films ever made, and he would never again match the success of this venture. Although taken from the 1835 classic Russian ghost story The Vij by Nikolai Gogol, Bava tweaked the story to deliver a fine mixture of folklore, traditional superstition, and genre convention. Technically speaking, the film is a work of art, with superb sound design and striking  camerawork. Already an established cinematographer who was renowned for making a film look much better than its low budget would anticipate, co-cinematographers Bava and Ubaldo shot the entire film with a dolly, achieving a dream-like look. Sunday is one of the best looking Italian horror films of the 70’s, with its crumbling landscapes, shadowy black-and-white imagery, fog, castles, crypts, long passageways, and crawling insects. The film also introduced the world to Barbara Steele, who has dual roles in the film as both the evil witch and princess whose blood the witch wants to drain. Her gothic black hair and saucer-like dark eyes made her famous, but sadly it was a role she would forever be typecast in. The film was ignored by the critics when released, but soon gained a cult following and opened the door for the Italian Gothic horror films to come. It was also a box office hit, and presaged Bava’s career-long central theme of “uncertainty.” An absolutely essential cornerstone of any worthwhile horror DVD collection.

See also  FNC 2013: 'L'inconnu du lac' is an incredible thriller with the mood and atmosphere of a great horror

#9 -The Witches (1990)

Director: Nicolas Roeg

Tagline: “Saving the world from witches is a tall order for a boy they’ve turned into a mouse!”

The Witches, an adaptation of Roald Dahl’s classic children’s story, is at once gruesome, funny and grotesque. While other directors (such as Wes Anderson) have reveled in Dahl’s unique brand of humour, Roeg brings a slightly darker sensibility to the table. Coupled with the wizardry of Jim Henson’s Creature Shop and a superbly energetic and over-the-top performance by Angelica Huston as the evil chief witch,  The Witches is certainly worth the watch. The film is also notorious for taking note of several ways to out a witch, among them: baldness, deformed hands and square, stubbed feet.

#8- The Conqueror Worm (Witchfinder General) (1968)

Director: Michael Reeves

Tagline: “The Year’s Most Violent Film!”

In director Michael Reeves’ short life, he produced three terrific horror films. Among them is Castle of the Living Dead and Revenge of the Blood Beast, a.k.a. The She-Beast, a.k.a. The Sorcerers. The 1968 British horror movie Witchfinder General (also known as The Conqueror Worm) was his third and final film, and has long been a cult item— in part because its talented 25-year-old director died of a drug overdose before the film’s release. While this harrowing horror film has no supernatural elements to speak of, its depiction of a superstitious people burning witches is a frightening one- that can easily relate to modern-day social machinations. An extraordinarily bleak story of political evil, Witchfinder General is as much an historical drama as a horror film, and provides an eye-opening picture of those chaotic times from long ago. The American title is derived from the opening scene, in which Vincent Price reads Edgar Allan Poe’s poem The Conqueror Worm.

#7- The Crucible (1996)

Director: Nicholas Hytner

See also  Revolution, Ep. 1.19: "Children of Men" bleeds out a few highlights

Tagline: “Arthur Miller’s timeless tale of truth on trial.”

Arthur Miller’s story of hysteria, persecution and social injustice, The Crucible, was written during Senator Joseph McCarthy’s House Un-American Activities Committee hearings (for which Miller was called to testify in 1956). Miller has never claimed that his story is historically accurate, but many of the facts correspond to events that actually occurred in Salem, Massachusetts in 1692 when a superstitious terror gripped the Puritan town. 19 villagers were hung as witches, four others died in prison and one was pressed to death when he refused to answer questions. The Crucible offers a layered examination of mob hysteria, and of the Puritan mindset on which America was founded in a community destroyed by guilt, prejudice, paranoia and betrayal. Well-paced direction, and fine performances from Daniel Day-Lewis, Winona Ryder and Joan Allen.

#6- Black Death (2010)

Director: Christopher Smith

Director Christopher Smith deserves credit for his ambitious attempt at doing something far different from his previous body of work. Unlike his by-the-numbers Hollywood thriller Triangle, Smith produces his most original and most mature film to date, wisely opting to engage viewers in the battle between religions, superstitions, and witchcraft. While the relentlessness of the movie’s downbeat nature may not appeal to mainstream viewers, Black Death proves itself to be a challenging and rewarding experience that sticks to its dark roots. Smith creates a genuinely creepy atmosphere by shooting entirely on handheld 16MM (albeit on excellent stock) giving the pic a cold, grey look stripped of most colors and textures. Most impressive is the complete lack of CGI. Relying on real stunts and prosthetics, Smith piles on the gore and blood, courtesy of several set-pieces of sword-swinging action. He also orchestrates some incredibly tense moments including the gruesome climactic crucifixion.

See also  31 Days of Horror: (Giallo) -- Bava and Hitchcock

#5- The Blair Witch Project (1999)

Directed by Daniel Myrick and Eduardo Sanchez

Tagline: “In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary…A year later their footage was found.”

The Blair Witch Project is an homage to sitting by the campfire and listening to urban myths and various ghost stories, something most of us can relate to. However, the primary reason for its success is that it keeps audiences in the dark about its titular villain. Using techniques that would make the Dogme 95 guys proud, The Blair Witch Project remembers that nothing onscreen can be as scary as your own imagination. It understands how to build anticipation and deliver the scares at precisely the right moment. Unlike most horror films, The Blair Witch Project isn’t simply designed to make you jump or gross you out. It’s designed to make you feel discomfort, nausea and general panic, and people respond by saying it is the scariest film of all time simply because it feels so real.

#4- Suspiria (1977)

Director: Dario Argento

Tagline: “The Only Thing More Terrifying Than The Last 12 Minutes Of This Film Are The First 92.”

The king of Italian horror, Dario Argento, directs what many consider to be his masterpiece. Suspiria boasts the most arresting tagline for any horror film, but that’s not all. It’s one of the most important and influential genre movies ever made, and essential viewing for all horror fans. Argento’s first major non-giallo directing job doesn’t stray too far from the style he established in his previous film Deep Red. Suspiria’s overall charm resides in its technical triumphs and visual style. Taking his cues from Mario Bava, Argento, together with his director of photography Luciano Tovoli, creates a vibrant, colorful film quite apart from the standards of the genre. Argento’s masterful use of intense primary colours (he acquired 1950s Technicolor stock to get the effect), and stunning set designs gives the whole film a hallucinatory intensity. The dissonant, throbbing score, composed by Argento and performed by his frequent collaborators, Italian rock band Goblin, drives the picture with the occasional distorted shriek of “Witch!”. A strange combination of the art house and horror film, Suspiria, although cited as one of the scariest movies ever made is, ironically, one of Argento’s least violent films. It relies more on tone and atmosphere than on blood and gore. Surreal and frightening, Suspiria still shocks audiences decades after its original release.

See also  24: Live Another Day, Ep. 1.09, "7:00 PM - 8:00 PM" brings the thrills

#3- Häxan (1922)

Director: Benjamin ChristensenHäxan (a.k.a The Witches or Witchcraft Through The Ages) is a 1922 Swedish/Danish silent  documentary about the history of witchcraft, told in a variety of styles, from illustrated slideshow to dramatised events of alleged real-life events that are comparable to horror films. Written and directed by Benjamin Christensen, and based partly on Christensen’s study of the Malleus Maleficarum, Häxan is a fine study of how superstition and the misunderstanding of diseases and mental illness could lead to the hysteria of the witch-hunts. While the film does a great job exposing the horrors of superstition and hysteria, it really doesn’t feature any  witchcraft – but still deserves to appear on this list. At the time it was the most expensive Scandinavian film ever made, costing nearly two million Swedish krona. Although it won acclaim in Denmark and Sweden, the film was banned in the United States and heavily censored in other countries for what were considered at that time graphic depictions of torture, nudity, and sexual perversion. Depending on which version you’re watching, the commentary is either in the form of intertitles or narration by William S.Burroughs, recorded in the mid-1960s. A fascinating historical document, and, more surprisingly, a very entertaining film, and one of the earliest films that takes misogyny and sexual repression as its subject.

#2- Day of Wrath (Vredens Dag)(Day of Anger) (1943)

Director: Carl Theodor Dreyer

A brilliant but somber tale –  a visually stark masterpiece  – and a truly haunting and  unforgettable film. Danish director Carl Theodor Dreyer’s 1943 parable about witch-finding and witch-burning in 17th-century Denmark, is a brilliant psychological thriller about the pull of religious dogma to oppress and punish weaker souls. A distressing study of good and evil, repression and oppression, sexuality and guilt and a film not to be missed.

See also  'Mad Max: Fury Road' modernizes the franchise without losing its identity in the slightest

#1- Wizard of Oz (1939)

Director: Victor Fleming

Tagline: “The Greatest Picture in the History of Entertainment!”

The groundbreaking visuals and deft storytelling are still every bit as resonant and the songs and magic are still fresh, even decades later. Wizard of Oz is not only one of the best family films ever made but one of the very best ever of any genre. Oz has become an essential part of the popular culture – superb in every aspect, with outstanding art direction, music, and performances by stars Judy Garland, Ray Bolger, Bert Lahr and Jack Haley. Oz is near flawless and critic-proof. To this day, the Wicked Witch of the West remains the most iconic of all witches in film.