The 100 Best Films of the Decade: 2000 – 2009 (part 2)

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azumi89- Azumi (2003)

Directed by Ryûhei Kitamura

Genre: Fantasy, Adventure, Action

Lovers of Asian cinema should love Azumi. A slick, relentless, violent yet beautiful genre piece with breathtaking stunt choreography and impressive wirework by Yuta Morokaji that makes the fight sequence in Kill Bill seem tame.


proposition188- The Proposition (2005)

Directed by John Hillcoat

Genre: Western

The spirits of Sam Peckinpah and Sergio Leone are invoked in this superbly crafted, hard-hitting, harrowing and magnificent drama. Directed by John Hillcoat and scripted by Nick Cave with an ensemble cast of pure talent, gorgeous cinematography and one of the best scores in recent memory.

Listen to our review from podcast #19

imagem.php87- This Is England (2006)

Directed by Shane Meadows

Genre: Coming of Age, Drama

This Is England, the semi-autobiographical tale of writer/director Shaun Meadows, turns back the clock a quarter century and examines a bullied boy who falls under the influence of a gang of skinheads in the early ’80s. A surprisingly, sweet, nostalgic coming-of-age period piece in the tradition of mean-streets. This Is England features superb performances and an infectious musical soundtrack. One of the simplest and best re-creations of the gritty post-punk scene from England ever put on screen.

Bronson86- Bronson (2008)

Directed by Nicolas Winding Refn

Genre: Bio-pic, Prison film, Drama,

Audacious and cutting-edge cinema that is high in energy, often-funny, violent, very smart, dark, intelligent and disturbing. There have been many films about the prison experience, but Nicolas Winding Refn’s mannered biopic is the first to examine its incarcerated subject not as a monster or a victim, but rather as an artist. Often compared to A Clockwork Orange and Chopper, Bronson is a bizarre and bracing character study that is a touch to surreal for mainstream audiences. D.O.P. Larry Smith crafts a strikingly visual film that underscores its violence with classical music and pop while actor Tom Hardy is outstanding delivering one of the most powerful and commanding performances I’ve seen in a long time.

Listen to our review from podcast #152

Almost-Famous-almost-famous-61998_1024_76885- Almost Famous (2000)

Directed by Cameron Crowe

Genre: Comedy, Drama

One the best pop-culture pictures of the past decade, Almost Famous is based on Crowe’s experiences touring with rock bands The Allman Brothers, Led Zeppelin, The Eagles and Lynyrd Skynyrd while writing for Rolling Stone magazine at the age of fifteen. A vividly realized celebration of personal filmmaking. Crowe’s script is funny, heartfelt and harkens back to Hollywood’s golden age of sophisticated comedy.

lost_in_translation_ver284- Lost in Translation (2003)

Directed by Sofia Coppola

Genre: Romantic Comedy, Drama

With Lost in Translation, Sofia Coppola made a serious bid to claim her last name for herself, with her intelligent, beautifully rendered mood piece. Bill Murray shines in one of his best performances with his trademark passive- aggressive style and Coppola’s mood-setting is pitch-perfect. Low-key, smart, direct and unique.

magnolia83- Magnolia (1999)

Directed by Paul Thomas Anderson

Genre: Drama

Not a perfect film and some scenes work better than others, but the finished product is a work of art. Magnolia is in many ways is groundbreaking and innovative story telling. An absolutely mesmerizing piece of filmmaking with some fine acting (including Tom Cruise in the best work of his career) that makes holding our interest for three-plus hours seem easy.

Listen to our review from podcast #16

entre_les_murs_ver2_xlg82- Entre les murs (2008)

Directed by Laurent Cantet

Genre: Drama

A great achievement in cinema-verite. Director Laurent Cantet refuses to instruct us on who’s right and who’s wrong in a movie that constantly plays against our expectations. Writer-actor François Bégaudeau who adapted his own book for the screenplay, also stars in one of the most authentic and honest films about high school students and teachers to date. Partially improvised, using a real (ex-)teacher and real school kids in pitch-perfect performances, The Class is uplifting and thought-provoking from the opening credits to  when the final bell rings.

amores_perros_ver381- Amores Perros (2000)

Directed by Alejandro González Iñárritu

Genre: Drama, Crime

Six-degrees- of-separation has never looked as good as in this ambitious multi-plotted portrait of overlapping lives in contemporary Mexico City. Amores Perros constitutes one of the most breathtaking and impressive directing debuts in cinematic history. Brilliantly shot, superbly acted and deeply heartfelt.

PF_92198880- Crouching Tiger, Hidden Dragon

Directed by Ang Lee

Genre: Fantasy, Adventure, Action

Defines the term ‘something for everyone;’ with the mix of romance, fantasy, and action that will appeal to all audiences regardless of age or sex, The hallmark of Crouching Tiger, Hidden Dragon is its standout action sequences, all of which are eye-popping and flawlessly choreographed by the great Yuen Wo-Ping (Iron Monkey, Kill Bill). One of the best adventure movies of the last decade, Crouching Tiger, Hidden Dragon is also  beautiful, poetic and moving; something that is rarely seen with these genre films.

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8 Comments
  1. Trevor Ansell says

    The Host is brilliant BUT Jackie Chan is Better!

  2. Simon says

    I already mentioned that I was a huge fan of the list so far, but I just wanted to throw out a hearty Hell Yes to “The Proposition.” Easily ten times the movie “The Road” turned out to be.

    1. Trevor Ansell says

      The Proposition vs New Police Story Take Care Winstone

  3. josh says

    I second that. The Host is, in many ways, far more than just another conventional monster movie. Moreover, it is virtually off the map of the Hollywood monster-movie genre and has far, far more in common with japanese monster movies (for example) than anything in the english language.

    And while that familiar refrain ‘critics are suckers for foreign films’ might work on arthouse pictures, Bong Joon-ho isn’t an arthouse director — his films appeal to a much wider audience (The Host is one of Korea’s all-time highest grossing movies), and they have also helped put the korean film industry on the map as a force in its own right (along with, of course, his breakthrough film memories of murder — easily one of the best films of the last decade).
    That kind of response happened well before critics could get a hold of his films, so their praise is somewhat of an afterthought in terms of what could affect the film’s reception.

  4. Anonymous says

    If the Host had been in English, it would have been recognized more readily for what it was: Just Another Monster Movie. Sometimes critics get sucked in assuming foreign pictures of any genre are naturally superior to their domestic cousins.

    1. Ricky says

      The Host is fantastic as is all the films by this director. I don’t expect anyone to agree with all one hundred of the films I choose but my list is personal and I am surely in no way trying to impress anyone by adding foreign films to my list. I truly enjoy this gem and have watched it several times since its release.

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