‘Amazing Spider-Man: Renew Your Vows’ #1- How perfect is too perfect?

‘Akira’ live action movie coming from ‘Daredevil’ writer

‘The Lost World: Jurassic Park’ is a mixed bag of chills and cringes

New on Video: Rainer Werner Fassbinder’s ‘The Merchant of Four Seasons’

‘Portal Pinball’ is not a lie

Veep, Ep 4.09: “Testimony” forces characters to face their importance

Dave Grohl confirms ‘Sonic Highways’ Season 2

Film adaptation of Stephen King’s ‘The Stand’ will also get a TV miniseries

Brad Pitt heads to Netflix with military film ‘War Machine’

Voices Through Time: The Documentaries of Roberto Minervini

Silicon Valley, Ep 2.09: “Binding Arbitration” thrives without all the clutter

Image Comics Panel Recap

‘Montage of Heck’ is ’90 percent bulls***’, writes Melvins frontman Buzz Osborne

Interview with ‘Material’ Writer Ales Kot

‘Secret Wars’ #3: My God is the Sun

Penny Dreadful, Ep. 2.06, “Glorious Horrors”: It’s Raining Blood!

Game of Thrones, Ep. 5.09: “The Dance of Dragons” is a dynamic and devastating hour

In Defense of ‘Tomorrowland’

‘Jurassic Park’ holds up as well today as it did in 1993

‘Xenoblade Chronicles’ posits a finale worthy of time spent

Weekend Box Office: Paul Feig and Melissa McCarthy land the top spot

Orphan Black, Ep. 3.08, “Ruthless in Purpose, and Insidious in Method” re-establishes the Castor and Dyad threats

ATX S4: Day three highlights ATX’s dubious priorities