Inside Out 2012: ‘Keep the Lights On’; a powder Blue Valentine

Supporting Actors: The Overlooked and Underrated (part 1 of 5)

Feel exorcised, psychoanalysed and pleasantly antagonised by ‘Scenes from a Marriage’

Inside Out 2012: ‘Jamie and Jessie Are Not Together’; when Jamie met Jessie

Game of Thrones, Ep. 2.08: “The Prince of Winterfell” sits on its hands ’till next week’s carnage

Inside Out 2012: ‘Stud Life’ is as inauthentic as its cross-dressing protagonist

Mad Men, Ep. 5.10, “Christmas Waltz”: Mad for the Money

Inside Out 2012: ‘Mosquita Y Mari’ is an essay on young love that unquestionably makes the grade

‘Hysteria’ could use more focus, but manages to entertain nevertheless

Inside Out 2012: ‘My Best Day’ is as American as a McDonalds apple pie

Grimm, Ep. 1.22, “Woman in Black”: Grimm’s Darth Vader moment

Vanity Fair’s superb tribute to Alfred Hitchcock

Inside Out 2012: ‘North Sea, Texas’ is a gay coming-of-age story that’s appropriately queer

Supernatural Ep. 7.23, “Survival of the Fittest”: Frustrating end to mixed season

Inside Out 2012: ‘Cherry’ gratuitously indulges on the license of its premise

Mousterpiece Cinema, Episode 46: ‘Fantasia 2000’

Extended Thoughts on ‘Fantasia 2000’

Inside Out 2012: ‘Hit So Hard’ occasionally does

Give ‘Lovely Molly’ a try, if you can take the tension

Merantau: The Films of Gareth Evans

Judge, Jury, and Executioner: Mickey Spillane, Mike Hammer, and the Private Eye on Screen and on the Page

Kubrick’s ‘Killer’s Kiss’ is raw and seductive

Inside Out 2012: ‘My Brother the Devil’, the British kid with a bike