Tribeca 2011: ‘Artificial Paradises’ shows promise for director Yulene Oliazola

‘Night Catches Us’ – the message echoes long after the credits roll

Wes Craven’s ‘The Last House on the Left’ – a genre landmark

Short Film: ‘Project: Kill Lana’s Boyfriend’

Videocast: Front Row Center Episode 5: Spotlight on Jafar Panahi

Taxman and the Box Office

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Hot Docs 2011: Recessionize! For Fun and Profit! 15 Simple Steps!

First Video Blog From the Set of ‘The Hobbit’

‘The Mack’ is a stylized and provocative interpretation of street hustling

Interview: Terry McMahon on ‘Charlie Casanova’ and the Once-Proud Fighting Irish

Be blown (but not necessarily away) by ‘Kaboom’

‘Velvet Goldmine’ – A mishmash of ‘Citizen Kane’, Ziggy Stardust, Oscar Wilde and ‘The Wall’

‘A Screaming Man’ is a powerful father-son story

‘Scream 4′ is bloodier, smarter, better and just plain scarier than all three before it

‘Hanna’ is stylish, and at times beautiful, but falls short of magnificent

Remember Me: Sidney Lumet (1924-2011)

‘I Love You Phillip Morris’

Sidney Lumet: Reflections on ‘The Verdict’

Guerilla Filmmaking

Cinémagique presents a special Advance Screening of ‘In a Better World’

‘Hip Hop Eh’ – A Documentary about the Canadian Hip-Hop Scene

Documentary Filmmakers 2011 Interview Series #1 – Lee Demarbre, Director of Vampiro: Angel, Devil, Hero