Written and co-plotted by Chris Claremont
Artwork and co-plotted by John Byrne
Inking by Terry Austin
Published by Marvel Comics
The upcoming X-Men: Days of Future Past motion picture directed by Bryan Singer bridges the time line between X-Men: First Class starring James McAvoy and Michael Fassbender and the earlier X-Men films starring Hugh Jackman, Patrick Stewart and Ian McKellan. If its trailers are any indication, it promises to be an epic event and the “biggest” X-Men film to date. Its story is lifted from the seminal story arc “Days of Future Past”, created by Chris Claremont and John Byrne and published in January-February 1981.
In a dystopian 2013, the United States has been torn apart by mutant hatred and the Sentinels conquer over all. Mutants are either killed or thrown into internment camps, and humans possessing a recessive mutant trait are forbidden to reproduce. The majority of the costumed superheros (even those who are not mutant) are long dead, with the few remaining X-Men sticking together: Logan (Wolverine), Ororo (Storm), Rasputin (Colossus), and Kitty/Kate Pryde. The other superhuman survivors Franklin Richards (child of Reed and Sue Richards) and a telepath named Rachel who was born in this dark time line (she later time travels back into the main time period and joins the X-Men, where she’s still a member today) also aid in the Anti-Sentinel Resistance.
The future looks even more grim for the remaining mutants in 2013, with the looming threat of nuclear annihilation. With the help of Magneto, the remaining X-Men manage to send Kate Pryde’s mind backward in time to inhabit the body of her 13-year old self in 1980 (her teenage mind will travel the opposite direction and inhabit her 2013 body). Pryde has to attempt to prevent a turning point that drastically worsened relations between mutants and humans: the assassination of Senator Robert Kelly by the new Brotherhood of Evil Mutants, now led by Mystique.
Looking back on this comic today, it is remarkable how massive of a story this is — dense in plot without ever becoming convoluted, full of rich dramatic developments and characterization, with a fury of action in the second half; — while only being two issues in length. Chris Claremont and John Byrne tell a moving drama, with powerful allegorical content (something Claremont often excelled at on his tenure on The Uncanny X-Men) without wasting a single panel. A comic arc written today with a scope as large as “Days of Future Past”’s would likely be five or six issues long. And there’s no reason why this couldn’t make a great story at that length without being padded; thrown into an alternate future where Sentinels rule over the entire country, an adult Kitty Pryde possessing the body of her teenage self, Mystique reforming the Brotherhood with a brand new roster; this premise has nearly endless potential, and room for further exploration. It’s difficult to say whether this very comic would be improved with an additional issue or two, because as it stands now, it is pretty incredible. The first half, issue #141, is one of the most iconic comic book issues (and covers) in history, and gets through an astonishing amount of exposition and storytelling while not just avoiding the common route of high concept stories not living up to their potential, but also being a very entertaining book.
Unfortunately, Hollywood is taking a step back in female representation by swapping Kitty Pryde with Wolverine, because Hugh Jackman has only been the star attraction in five previous X-Men films and quite obviously that isn’t enough. Perhaps in an alternate time line, in another dimension even, there exists an X-Men: Days of Future Past film starring Ellen Page. And it’s probably amazing.
The story arc “X-Men: Days of Future Past” can be found in a trade paperback book of the same name. To get more bang for your buck, the paperback includes a handful of other Uncanny X-Men issues, the ones preceding and following the classic story.