‘The Lost Weekend’ is a nightmarish vision of chronic alcoholism

Ebertfest 2013: Day 2 centers on Family and Art in beautiful, moving fashion

The 5 Best Music Videos Of The Week

Hannibal, Ep.1.03: “Potage” – solid direction and a great cast make up for a few minor missteps

McAvoy and Strong are able, but ‘Welcome to the Punch’ a derivative crime thriller

‘Oblivion’ a visually stunning but too familiar Tom Cruise vehicle

‘Manhunter’ a disturbing examination of voyeurism

Hot Docs 2013: ‘Free The Mind’ Questions Whether Peace Surpasses All Understanding

Age of Ultron #6 is a Great Mix of Action and Emotion

The Americans Ep 1.11 ‘Covert War’ is a terrific episode with a few odd resolutions

Survivor: Caramoan 26.10, “Zipping Over the Cuckoo’s Nest” brings an incredible comeuppance

How ‘Sleuth’s lavish manor setting is a thinly veiled asylum of mind trickery

‘Oblivion’ is familiar but well-executed, enjoyable sci-fi

Suburgatory, Ep 2.21 “Apocalypse Meow” & 2.22 “Stray Dogs”

Awkward., Ep 3.01/3.02: “Cha-Cha-Cha-Changes/Responsibly Irresponsible” uses potential and real life-altering circumstances to examine character relationships

Miniature Jesus #1 mixes a compelling blend of dark and light

‘The Great Gatsby’ soundtrack releases a new song, this one by Florence + The Machine

Adventure Time! #15 is Mathematical!

Patton Oswalt’s Star Wars Filibuster from ‘Parks and Recreation’ is essential viewing

Oblivion’s score, while effective, is a familiar work that rarely transcends in the way it should.

‘Spartacus’ creator Steven DeKnight reveals details about his newest show, titled ‘Incursion’

‘Heathers’ vs. ‘Jawbreaker’

Wide World of Horror: ‘The Human Centipede (First Sequence)’