Animation

There’s a new king of ‘The Jungle Book’

‘The Little Prince’ is an uneven, but not meritless, adaptation

50th Karlovy Vary: A quick chat with Anca Damian, director of ‘The Magic Mountain’

Why Animation Feels Universal

‘Inside Out’, and why animation isn’t just kids stuff

‘Kurt Cobain: Montage of Heck’ avoids a literary reading of Cobain’s life

Treefort Film Fest Shorts: ‘World of Tomorrow,’ ‘Oh Lucy!,’ ‘Palm Rot’

AFI Fest 2014: ‘Song of the Sea’ has frustrating beauty

‘Big Hero 6’ delivers big action in a cuddly package

‘The Satellite Girl and Milk Cow’ Movie Review – is a silly and sweet animation

Anime ‘Giovanni’s Island’ Movie Review – is a great wartime drama

NYCC Field Report: Star Wars Rebels

Living Pictures on the Small Screen #1

‘Luna’ Movie Review – is a dark and surreal exploration of grief

Fantasia 2014: ‘Kite’ is juvenile and hyper-stylized without reason

Reel to Real: The Art of Realism in ‘Snow White and the Seven Dwarfs’

Faunhood: An Exploration of ‘Bambi,’ the Quintessential Children’s Film

Sleeping Beauty and the Impact of Eyvind Earle

Post-Walt’s Death: The Good, The Best, and The Rest

‘Treasure Planet’ Abandons Treasure, Loses Audience

The Walt Years

‘Atlantis: The Lost Empire,’ Or When Disney Stops Caring About the Child Audience

‘Is the Man Who Is Tall Happy?’ a quirky love letter to Noam Chomsky and old-fashioned animation