Inside Out 2012

Lesbian Scene Analysis: ‘Black Swan’

Inside Out 2012: ‘Margarita’ is a potent cocktail of heart, humour, and humanity

Inside Out 2012: ‘Melting Away’ eventually succeeds in its war of emotional attrition

Inside Out 2012: ‘Beauty’ is a picture of uncompromising dark complexion

Inside Out 2012: ‘Bye Bye Blondie’ is suffused with libertine barbarism and moral ambivalence

Inside Out 2012: ‘Joshua Tree, 1951: A Portrait of James Dean’; or if Fellini made a Dolce & Gabbana commercial instead of La Dolce Vita

Inside Out 2012: ‘Woman’s Lake’ is a film you’d much rather look at than see

Inside Out 2012: ‘The Mountain’ is a spellbinding meditation about love and loss redeemed

Inside Out 2012: ‘Speechless’ adheres to a gimmick that never fully surpasses its novelty

Inside Out 2012: ‘She Monkeys’ straddles the precarious equilibrium of genius and insanity

Inside Out 2012: ‘Kiss Me’; a classic tale of love destined to become a classic of its own

Inside Out 2012: ‘Facing Mirrors’ solidifies Iran as a cinematic powerhouse

Inside Out 2012: ‘Keep the Lights On’; a powder Blue Valentine

Inside Out 2012: ‘Jamie and Jessie Are Not Together’; when Jamie met Jessie

Inside Out 2012: ‘Stud Life’ is as inauthentic as its cross-dressing protagonist

Inside Out 2012: ‘Mosquita Y Mari’ is an essay on young love that unquestionably makes the grade

Inside Out 2012: ‘My Best Day’ is as American as a McDonalds apple pie

Inside Out 2012: ‘North Sea, Texas’ is a gay coming-of-age story that’s appropriately queer

Inside Out 2012: ‘Cherry’ gratuitously indulges on the license of its premise

Inside Out 2012: ‘Hit So Hard’ occasionally does

Inside Out 2012: ‘My Brother the Devil’, the British kid with a bike

Inside Out 2012: ‘Bullhead’ is a raging bull of a picture

Inside Out 2012: ‘Cloudburst’ epitomizes its name by being a film of fleeting and short-lived qualities