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The Best Films of the Decade: 2000 – 2009 Part 7 (Revised)

70- Love Exposure (2008)

Directed by Shion Sono

Genre: Comedy, Romance

Over its four-hour running time, Love Exposure unfolds an extremely bizarre odyssey revolving around an unusual love triangle, advanced techniques in upskirt photography, Japanese Catholicism, perversion, guilt and obsession amongst another dozen or so motifs. Masterfully directed by Sion Sono (Suicide Club, Hair Extensions), proving once again that he is one of the most innovative, unique and daring filmmakers working today. It’s a cinematic oddity which never seems to drag despite its marathon running length. Accompanied by an eclectic soundtrack, slick editing and wise direction, the film leaves you feeling somewhat hypnotized. You won’t be able to take your eyes off the screen. Love Exposure is a must see for any movie buff.

Listen to our review from podcast #137

69- Kill Bill Volume 1 & 2 (2003)

Directed by Quentin Tarantino

Genre: Martial Arts, Crime, Thriller, Action

After a six-year hiatus, Quentin Tarantino returned to the director’s chair with Kill Bill, a fanboy fever dream that once again proved he is a visionary filmmaker. Unfolding like a novel, the film is conceived in chapters, each boasting the look and heart of a specific genre. The film features one of the best selections of tunes ever collected for a soundtrack, dialogue as sharp as the swords that cut, and some of the greatest fight sequences put to any American film by legendary choreographer Yuen Wo-Ping (Crouching Tiger Hidden Dragon, The Matrix). While Vol. 1 was rip-roaring and highly entertaining, Vol. 2 is elegant and intelligent and offered a completely different but equally dazzling array of cinematic tricks. The end result is a non-stop visual bombardment of cinematic pop artistry and breathtaking cinema that makes me remember why I love the movies.

Listen to our Tarantino special from podcast #147

68- The Assassination of Jesse James by the Coward Robert Ford (2007)

Genre: Western

Directed by Andrew Dominik

Andrew Dominik has crafted an instant classic with this long, ambitious but truly rewarding movie. The stunning poetic visuals and meticulous attention to period detail make for some of the best work from master cinematographer Roger Deakins and one can only marvel at the visual miracles achieved here. A script that takes unexpected risks and whose dialogue sings with poetry and a true spirit to the America of the 1880’s. Combine all that with award-worthy, sensational performances from an all-star cast. including Casey Affleck – who proves him to be a character actor of immense creativity – and you have a near-masterpiece. The best Western to come across the range since Jim Jarmusch’s Dead Man.

67- La Pianiste (2001)

Directed by Michael Haneke

Genre: Drama, Thriller

A brutal and absorbing portrayal of a repressed woman who takes refuge in sado-masochistic sexual games. The Piano Teacher makes for rather unpleasant viewing but is well worth the watch for the brave, harrowing performance by Huppert, an actress tearing into a historical role. Extremely disturbing for its extraordinary themes, and an ending that will amaze.

66- Audition (2001)

Directed by Takashi Miike

This art-house cult horror film will be talked about for a long time to come with. The last section of the film features some of the most harrowing, graphic closeups of torture ever put on celluloid, but even in its gore-filled shockingness, the film is a monumental achievement by a director willing to take chances and challenge his audience. Based on a novel by Ryu Murakami, Audition isn’t nearly as gory as Ichi the Killer, but it has to be Miike´s most disturbing and most powerful film. In fact it was listed at #11 on Bravo´s 100 Scariest Movie Moments. Not for the faint of heart.

65- Spider (2003)

Directed by David Cronenberg

Cronenberg pieces together a compelling portrait of mental illness with Spider, a dark, brilliant journey into memory and schizophrenia. Cronenberg has made a sad character study that also works as an intellectual thriller. It may be Cronenberg’s most depressingly bleak film, but it is a major film from a major director that will be talked about and dissected in years to come.

64- Where the Wild Things Are (2009)

Directed by Spike Jonze

Genre: Family Drama

Spike Jonze’s heartfelt adaptation is as beautiful, heartbreaking, and ingenious as the original source material. Jonze manages to never take anything away from the story but rather he enhances and enriches its text and makes the clever choice of making a film about childhood as appose to a children’s film. If his audience is children, he always pays respects to them by never talking down and never shies away from striking minor chords and tugging on many emotional strings. It involves viewers of all ages on different levels and is one of the most visually interesting family pictures since The Wizard of Oz.

Listen to our review from podcast #163

63- L’Enfant (2006)

Directed by Jean-Pierre and Luc Dardenne

Jean-Pierre and Luc Dardenne present another uncompromising, emotionally devastating depiction of human struggle with The Child. Winner of the Palme d’Or at the 2005 Cannes Film Festival (their second, after 1999’s ROSETTA), L’Enfant is a hard-hitting and involving morality tale that had Slant Magazine’s “tough guy critic” Ed Gonzalez call it nothing short of a miracle.

62- The Royal Tenenbaums (2001)

Directed by Wes Anderson

Genre: Dark Comedy, Family Drama

Wes Anderson’s fairy tale of a New York dysfunctional family is a wonderful, quirky, offbeat comedy-drama with the right mix of humor and poignancy. Never sentimental or predictable The Royal Tenenbaums proves that Wes Anderson remains one of the truly original voices in contemporary American filmmaking, and although it is not my favorite film from his oeuvre, it – so far – is his very best.

Listen to our review from podcast #172

61- Gomorrah (2008)

Directed by Matteo Garrone

Genre: Drama, Crime, Gangster

If you want to see a gangster film that isn’t all about stylized violence, then Gomorrah is for you. A somber, slow, but well-paced study of organized crime with unflinching realism, Gomorra paints a broad picture of the powerful Camorra crime family in Italy. Director Matteo Garrone has adapted Saviano’s novel loosely for the screen, creating an episodic and overwhelming portrait of ordinary lives engulfed by violence and total corruption. Put best, Gomorra is simply the best gangster film of the past decade.

Listen to our review of Gomorrah from podcast #79

60- The Pianist (2002)

Directed by Roman Polanski

Genre: War, Drama

It takes a great film to persuade The Academy of Motion Pictures and Arts to award a filmmaker best director after his exile out of the country due to sexual assault on a minor. Yet The Pianist is not only a great film but perhaps the director’s finest achievement and his most personal work to date. The film examines a terrible time in world history with a personal eye. The Pianist is altogether heartbreaking and although it breaks no new ground, it serves as a strong reminder of one of mankind’s worst atrocities.

59- The Hurt Locker (2008)

Directed by Kathryn Bigelow

Genre: War

There is a lot to like about this film from its direction to its style to its brave performances. It never draws too much attention to itself nor is it ever too flashy. You always feel the sense of urgency and danger and Bigelow never gets boggled down with any cheap tricks, instead masterfully building up the suspense. A fascinating character study that doesn’t spend its time moralizing and isn’t weighed down with any political message. A nerve-shredding, visceral thriller that is not only the best Iraq war film but one of the best war films ever made.

Listen to our review of The Hurt Locker from podcast #151

58- Moon (2009)

Directed by Duncan Jones

Genre: Sci-fi

Unlike the majority of Hollywood sci-fi films, Moon is about something more than explosions or endless, mind-numbing action sequences. Moon boasts a slow, deliberate pace, focusing more on character study while tackling issues of identity, individuality, isolation, abandonment, alienation and the  idea that mankind will always wrestle with the very nature and value of his own existence. First-time director Duncan Jones lets the film evoke these issues without preachiness or audience spoon-feeding.

Listen to our review of Moon from podcast #133

57- A Serious Man (2009)

Directed by Ethan Coen & Joel Coen

Genre: Drama, Dark Comedy

Blending dark humor with profoundly personal themes, The Coen Brothers deliver their most intimate film yet. Expanding upon some of the themes they’ve played with in the past, the film deals with everything from man’s search for meaning, the existence of God, patterns and randomness in the Universe, and the essential solitude of the human condition. Euphoric, extremely funny, deeply serious, sad, troubling, warm and thoughtful all at once. The Coens have finished the decade as America’s pre-eminent film-makers.

Listen to our review from podcast #162

56- [Rec] (2007)

Directed by Jaume Balagueró & Paco Plaza

A brilliant horror / thriller which may start slow but eventually speeds up to a fever pitch of complete and utter terror and hysteria. Directors Jaume Balagueró and Paco Plaza quickly became rising stars in the Spanish horror scene with this short, stripped-down, first-person horror picture that delivers some unforgettably effective shocks while gradually building a haunting atmosphere of ever-increasing panic and despair.

Listen to our review from podcast #44

55- In Bruges (2008)

Directed by Martin McDonagh

In Bruges is directed by award winning play write Martin Mcdonagh. It stars Colin Farrell and Brendan Gleeson as hitmen in hiding, with Ralph Fiennes as their mob boss. The brilliant acting of the three leads would be enough to make the film worthwhile but as the film reveals its surprising depths and its deep sense of irony, you realize that you’re in the presence of something great. Martin Mcdonagh is a director to look out for and the screenplay for In Bruges is one of the very best of the last decade.

54- Battle Royale (2000)

Directed by Kinji Fukasaku

Based on a controversial Japanese novel by Koshun Takami, this cautionary tale was nominated for seven awards at the Japanese Academy of Arts and Sciences, including Best Picture. This cult film is a fusion of The Running Man, Lord of the Flies, and The Most Dangerous Game, in which ninth grade students are sent to an island and given three days to fight to the death and reduce their number to one. Arguably one of the most extreme and controversial films on my list, its also a film that’s difficult to judge. Be it a metaphor for teen angst, a criticism of overpopulation, student delinquency, social competition, or the limits pushed by Japanese society, Battle Royale is if nothing else a heart-stopping action film. As twisted as it sounds, killing off 41 teens takes a great deal of creativity to avoid cinematic boredom but director Kinki Fukasaku succeeds in teaching us worthy lessons amidst the deliberately provocative and  shocking violence.

53- Up (2009)

Directed by Pete Docter & Bob Peterson (co-director)

An animated movie that’s far more human than most live-action ones. Up is challenging emotionally and narratively and shows no interest in talking down to children or their parents. Another work of art from Pixar, Up combines smart, imaginative storytelling with dazzling dreamlike visuals and the end result is an exciting, hilarious, and heartfelt adventure impeccably crafted and told with wit and depth.

Listen to our review from podcast #125

52- Che: Part One & Two (2008)

Director: Steven Soderbergh

Nearly 40 years after Che Guevara’s execution in Bolivia, director Steven Soderbergh retraces the life of the iconic Cuban revolutionary in this nearly perfect four-and-a-half-hour saga. An extraordinary performance from Benicio Del Toro anchors this long but gripping film.

listen to our review from podcast #98

51- Memento (2000)

Directed by Christopher Nolan

On the surface, it’s a disturbing tale of revenge by a man who’s obsessed in finding another man who raped and killed his wife. Because of his short term memory loss, he is unable to process any new information for longer than a few minutes, leaving him to conduct his investigation through a series of polaroid photos (with scribbled captions) and tattoos that cover his entire body. But like most good movies, Memento operates on several levels and doesn’t stop with a great premise. In fact, what really distinguishes this film is its brilliant, innovative structure that pushes what can be done on screen in an unusual direction. Defying linear progression, the script is structured backwards and sideways, so that Leonard’s past and future appear to be interconnected from both ends, directly affecting his present. Confused? This complex and skillfully executed narrative will keep audiences guessing but you must experience it to truly understand. Highly original and one of the most clever movies in recent years.

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