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    ‘The Dark Knight III’ #4 is a superheroic mess with extra ISIS metaphors

    Once again, the backup story outshines the main story in The Dark Knight III #4 as Andy Kubert and Klaus Janson provide some iconic imagery, especially in the scenes featuring the Atom and Superman’s execution, but Frank Miller and Brian Azzarello’s storyline jumps around and portray the characters not named Bruce Wayne, Carrie Kelly, or Ellen Yindel in an arbitrary way. Plus there is that always problematic Islamophobia, which is starting to set in as the Kryptonians call Batman an “infidel”. Last time I checked, this wasn’t Holy Terror. More

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    ‘Batgirl’ #50 rips ‘Killing Joke’ a new one and is the happy ending Babs deserves

    Stewart, Fletcher, and Tarr’s run on Batgirl won’t just be remembered for the iconic redesign of Batgirl’s costume, which has found its way into other mediums, like the DC Comics Superhero Girls toy line or the Batman Bad Blood animated film, or the cyberpunk-meets-Williamsburg aesthetic of Burnside. It will be remembered as a comic that showed that not all DC superhero books had to have art that looked like Jim Lee’s, kicked ass while still being stylish as hell, and most of all for having a diverse, multifaceted cast of characters that fans of all genders, races, sexual orientations, body types, and disability status could see themselves in. More

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    I Have A Lot of Conflicting Feelings About DC’s Rebirth Announcement

    I was at DC’s big Rebirth announcement on Saturday (second row, natch!) and I’m full of mixed emotions and big prognostications. Stick with me here, but I think that one-hour presentation effectively epitomized all the weird conflicts and awkward contradictions at this particular moment in superhero comics: everything good & bad, pure & cynical, innovative […] More

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    To Better Know A Hero: Superman

    Though Superman hasn’t always been the most popular superhero (these days, Batman, Spider-Man, Wolverine and heck, probably Iron Man and a few other Avengers most likely outpace him in that department), he was the first superhero, and superhero comics as they exist today wouldn’t without Superman. Even beyond the blatant knockoffs that cropped up in the wake of his immense popularity shortly after his debut (issues of his comics routinely sold in the millions throughout the forties), Superman can be pointed to as either a direct or indirect inspiration for nearly every superhero that followed. The entire field of superhero comics, the most dominant form of sequential art in American comic books, exists because of Superman. More

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    Cracked Video Pokes Fun at the Terrible, Terrible Idea of an R-Rated ‘Batman vs Superman’ Cut. Because it’s a Terrible Idea.

    From that title you can probably already get an idea of what my stance is on the recent news that Batman vs Superman: Dawn of Justice will be receiving an R-rated cut for its blu-ray release. Like many vocal fans on the internet, the very idea of an R-rated movie featuring Batman and/or Superman seems ridiculous to […] More

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    ‘Batgirl’ #49 is a visually thrilling journey through Babs’ psyche

    Throughout Cameron Stewart, Brenden Fletcher, and Babs Tarr’s run, Batgirl has proven that it is the visual crown jewel of DC Comics, and issue 49 is a victory lap, especially thanks to the powerful work of Ming Doyle and James Harvey along with the sunny, suburban Stepford horror of Roger Robinson. It is also a tour de force into the beautiful and damaged psyche of Barbara Gordon and a real turning point in her arc in the New 52. Issue 50 can’t come soon enough. More

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    ‘Midnighter Vol. 1: Out’ Gleefully Embraces Its Identity

    Midnighter is a title that knows what it is and what it’s aiming for. It is a comic about a gay superhero designed for a gay and bi male readership but with plenty to offer every other reader too. The artwork is inventive and gorgeous, even as it depicts gruesome violence. It knows how to use a metaphor in clear, nuanced ways. It balances grit, hard choices, and vigilante glee. More

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