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‘Eye in the Sky’ is an entertaining, terrifying look at modern warfare
Sally Field shines in ‘Hello, My Name Is Doris’
Friday Noir #150: The posters of the classic noir period
‘The Divergent Series: Allegiant’ isn’t quite as horrible as the first two films in the series
‘The Confirmation’ is an understated celebration of fatherhood and family
‘Captain Marvel’ #3: Space Adventure and Awesome Editing
Get the Full Story on Marvel’s ‘Civil War’ (The Comics Version) in This Animated Video
Hive of Scum Women’s History Month Special: ‘Blue Valkyrie’
‘Kholat’ – Chillingly Tense, Painfully Frustrating
‘Tomboy’ is less about magical girls and more about “divine intervention”
‘Green Lantern: Secret Origin’ is the Emotional Core of Geoff Johns’ Run
‘Clandestino’ #2 is a beautiful work of mayhem
‘Lumberjanes’ #24 shows the power of teamwork
‘Welcome Back’ #6 brings the end of the line
To Better Know a Hero: The Punisher
‘Hitman’s’ first episode lays solid groundwork despite the cracks
Nicolas Winding Refn’s Commercial for Hennessy X.O is a Pretty Weird Ride
Supergirl, Ep. 1.16, “Falling” turns Kara into the big bad of the week
Film Fury #49: ‘Planet Terror’ grinds out a delightfully gooey action flick
Brie Larson’s Five Best Performances (So Far)
New on Video: ‘Paris Belongs to Us’
The Big Score: ’10 Cloverfield Lane,’ Bear McCreary, and the end of the JJ Abrams hype machine
Gotham, Ep. 2.14: “This Ball of Mud and Meanness” sets Bruce on a new path
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