Nicolas Winding Refn’s Commercial for Hennessy X.O is a Pretty Weird Ride

Supergirl, Ep. 1.16, “Falling” turns Kara into the big bad of the week

Film Fury #49: ‘Planet Terror’ grinds out a delightfully gooey action flick

Brie Larson’s Five Best Performances (So Far)

New on Video: ‘Paris Belongs to Us’

The Big Score: ’10 Cloverfield Lane,’ Bear McCreary, and the end of the JJ Abrams hype machine

Gotham, Ep. 2.14: “This Ball of Mud and Meanness” sets Bruce on a new path

The Poetic Pencilling of Jillian Tamaki

Cell by Cell: ‘Bitch Planet’ #6 Part 5

‘Plants vs. Zombies: Garden Warfare 2’ – The Great Bait-and-Switch

Vinyl, Ep. 1.05: “He in Racist Fire” turns up the heat

The Walking Dead, Ep. 6.13: “The Same Boat” treads water

With ‘Two Friends’, Louis Garrel puts a French twist on bromance

Looking into the ‘Shadow Glass’ with Aly Fell.

Does ‘The Division’ live up to the hype?

Three lessons ‘Far Cry Primal’ could teach game studios

Go Under the Hood of the New Batmobile With ‘Batman vs Superman’ Production Designer

‘Moon Hunters’ Review: Enchanted by a Goddess

DC’s Legends of Tomorrow, Ep. 1.08: “Night of the Hawk” is smart, varied writing

Aloof ‘Knight of Cups’ looks great but feels empty

Danger lurks in ‘Descender’ #11

Art Begets Art – New Video Illustrates Some Examples of Art Influencing Film

‘Kennel Block Blues’ #2 Initiates Prison Trope #29: Escape