Friday Noir #151: ‘Gilda’ is really the beautiful side of film noir

Brooding sci-fi of ‘Midnight Special’ excels with style and humanity

‘Samorost 3’ Review: Exquisite, Ingenious and Special

After 100 episodes, Once Upon a Time is a fairy tale too big to fail

Arrow Ep. 4.17, “Beacon of Hope” is a thoroughly pointless hour

New on Video: ‘Bicycle Thieves’

JLA#8 is Cause for Concern Over Justice League Rebirth

Image After/Image: ‘Jem and the Holograms’ #13 Revels in Duality

‘Grim Dawn’ Review — A Gunslinger’s Sunrise

Comics’ Coolest Artists on Drawing Action

I Have A Lot of Conflicting Feelings About DC’s Rebirth Announcement

Scott Snyder and Greg Capullo Give Gotham Its Heroes in ‘Batman’ #50

Scream Factory release: ‘Murders in the Rue Morgue’ and ‘The Dunwich Horror’

Vanessa Stefaniuk Rocks Hard in ‘Radio Silence’

Yes, I Would Prefer Yellow Spandex – A Critical History of X-Men Uniforms Onscreen

Gotham, Ep. 2.16, “Prisoners” beats Gordon down so he can rise again

Vinyl, Ep. 1.07: “The King And I” might mark Richie’s turning point

A Brief History of Lens Flare – From Mistake to Mark of Authenticity to Annoyance?

James Bond Movies, as Reviewed by Archer

Scream Factory Release: ‘Cherry Falls’

Let’s Make Games: Exploring an Australian Independent Game Scene

Patsy struggles with superhero/life balance in ‘Hellcat’ #4

Film Fury #50: ‘Fist of Fury’ is Bruce Lee at his most furious